For years and years, I practiced law and total strangers would stop me and say “Yer a lawyer, aren’t you?”
I mean, really!
It started about a year after law school when I was learning to be a litigator. I loved being a lawyer but now I’m retired and in recovery. Strangely, no one asks that question anymore.
What changed? What were they picking up on in the first place?
We all know the world through our five senses, so which of the senses lead me to be identified as a lawyer? I’m portly enough to be the mayor of a small town. I’ve got a voice perfect for broadcasting large sports events. I’m not one of those instant huggers. I bite my own nails and when these people identified me as a lawyer they were not all downwind of me.
When I walk down the street now, I’m waiting for people to recognize me in a new light. “Yer a playwright, aren’t you?” Come see ONAJE this October at FringeNYC and help make that dream come true!
Join me on this adventure at http://theplayonaje.com.
ONAJE Staged Reading in L.A. a great success
ONAJE received a new staged reading at Theatre 40 in Beverly Hills on April 15th, superbly directed by Adrian Cohen and featuring an amazing cast: Travon McCall, Annalee Scott, Cathy Tomlin, David Hunt Stafford, David Welsby, Shaun Savage, Stephanie James, Frederick Dawson, Eric Keitel, and Patrick Hallahan.
We had a full audience, who were kind enough to stay afterward and give us some very helpful feedback. It was a great discussion, as well as a reminder of the impact that live theater can have.
On May 24, 2018, at 3:25 pm I received an email from the New York Fringe Festival (FringeNYC.org) telling me that my play, Onaje, was accepted for production in New York in October.
At the heart of the play is the Civil Rights riots and burning of Cambridge, Maryland in 1967 —still sadly relevant 50 years later with civil disobedience in Charlottesville Virginia, but this time the President says “there are good people on both sides.” We are still “a house divided.”
I lived on the Eastern shore of Maryland as a boy that summer. I had grown up in liberal Massachusetts and had never experienced firsthand racism or the terror of being an outsider and the range of psychological damage which occurs from it.
My first day visiting the Eastern shore I was invited to go to a country club to go swimming in the club pool. I was not a hippie. My hair was long enough to go over the top of my ears but not over the back of my collar. As I approached the gate to the fence that ran around the edge of the swimming pool I saw the lifeguard looking at me as he descended from his tower to confront me before I entered.
When he stopped me at the gate he told me because of my hair I would have to wear a woman’s bathing cap. Swimming stopped and parents and children looked at me. All the men had short crew cuts and all the women had long hair but were not wearing bathing caps. That was in early June the riots occurred in late July.
I will continue writing in this blog about the production of the play up until I’m through its final performance in October in New York. I don’t know how it will land. This is the story of the first production of my play. Come and share with me the ride.
(We need help to keep the wheels on. If you can manage it, please donate.)
Staged Reading in Los Angeles
ONAJE will receive a new staged reading at Theatre 40 in Beverly Hills, 7:00 pm, TONIGHT, April 15th, directed by Adrian Cohen. For more info and to RSVP click here.
O’Neil Playwriting Festival
We received word that ONAJE is in consideration for the Eugene O’Neil Playwrights Conference in July of 2018. We’ll hear more by early May.
ONAJE was submitted to the New Works Playwriting Competition for 2017 and received an Honorable Mention.
ONAJE is about the pleasure and horror of vindication, the exile caused by American racism, and a mistake that could steal forever a hero’s soul, his humanity, and his journey toward redemption. Set in two worlds, Maryland 1980, and the civil rights riots in the Eastern shore in 1967, Onaje features a trio of characters inextricably linked through long-buried secrets of their past and forced to return to everything they escaped.
In prior posts, I have talked about how polarization has been caused by gerrymandering and now the judiciary is stepping in to dismantle it.
In North Carolina, on January 9th, Judge James A. Wynn, Jr. struck down the North Carolina congressional district lines. The three-judge panel ruled if state politicians draw district lines for the purpose of protecting their own interest at the expense of the other party, the districts are invalid. Then last week, the Pennsylvania Supreme Court overturned gerrymandering, citing the state constitution, and required new districts be drawn by the 2018 midterms.
Most importantly now, the Supreme Court has heard arguments on a gerrymandering case out of Wisconsin and has asked for re-argument of a Maryland case, which will probably be part of an opinion that strikes down gerrymandering nationally.
God bless our state and federal judges. It is long overdue for “we the people” to get the chance to take back our country from our politicians.
KGB-TV Job Interview, Another Plot Study (The Monologue)
To answer your question, yes we are a subsidiary of FOXNews. “We be Putin it where the sun don’t shine.” We have a target market reserved for Viewers that believe in tax cuts for the rich, healthcare as unconstitutional, and a God that loves the NRA because we need weapons to protect churches from people with weapons.
Yes, you’ll be asked only to read tweets on the air. The rest is advertising because our viewers are so stupid they’ve proven that they’ll buy anything….like our propaganda/ news from the last election. But I’m getting ahead of myself. Have you provided us with the signed affidavit that you have never been sexually harassed by anybody, ever? No, don’t date it. We will date it if we need it.
Now please look into the camera and read the following tweets: “News flash! Hillary did not disclose Girl Scout cookie Income!” Don’t forget the smile and long knowing stare after you finish, thank you. All right now do this one: “Bill also does sheep !” Smile – that’s it!. Now the next one: “ Obama Birth certificate proves he’s Putin’s grandmother! “ OK, that’s good. Now before we go to the advertising .” News Flash! Surprise -you don’t have to take the Pampers off of your head after Halloween. You can give them to a Democrat with a dirty mind, for Christmas, and get a 501(c)3 religious organization pass-through tax deduction.”
No wait give it to me like we are in Moscow baby: “News Flash! Democrats seek to tax prenatal care for the born-again!” Keep that stare. Keep that knowing stare. Keep smiling. Good! Watch Pat Robertson prey’n on the Christian Broadcast Network. Listen and learn.”
OK, now sell this:
“Because yer such a good American — Free Trump miniature combover piggy banks! Holds two pennies (“your two cents”). Remember when Republicans shut down the government because they wouldn’t vote for any deficit increase? You don’t? Good, you qualify for “The New Contract with America” and new 1.5 Trillion deficit increase that your great-great-grandchildren are going to be paying off… even if they are Russian citizens of West Virginia. And Just remember this: Your free gift from all of us at KGB-TV and the Citizens United Foundation’s offer: 50% off of on our IQ increasing suppositories. Now installable with your thumb.”
Congrats, you‘ve got the job! We pay in Rubles because after the upcoming recession and increasing deficit the dollar won’t be worth shit. Welcome to KGB-TV! We be Putin it where the sun don’t shine.”
We continue our study of theatrical forms about our present political culture in the form of a Marvel comic book with nine picture frames.
1) The opening frame contains the signers of the Declaration of Independence and Abraham Lincoln saying: “You can fool…” and Roger Ailes, Newt Gingrich, and a cast of grinning Fox News panelists universally agree: “The hell you can’t. Cut taxes for the rich, take away their healthcare, promise them lost jobs, and give every idiot a gun… Its the new GOP” (Grotesquely Opportunistic Policymakers).
2) Next: There are two little men in loincloths with little hands. In the bubble above the North Korean’s head: “I will launch heat-seeking suppositories is how I will trump you, Trump!” Behind him are millions of people cheering, in unison, in one bubble over their heads, their approval. The bubble above the orange comb-over: “I’m clenched and ready. It will unify my base.“Behind him stand millions of people (no immigrants) each holding millions of guns all aimed at liberals who point at them as they warn: “Fear the suppositories from all sides” and then do nothing which causes the millions holding guns predictably to unify the Comb-over’s base.
3) The next is a tweet which says: “Second amendment – No hunting license required – shoot people for free! “And “First Amendment is about disrespecting soldiers it’s not about Freedom of political speech.”
4) Next the Bolshevik United Republican Party (BURP) screams: “ You are Americans. You have ‘freedom of choice,“ and Lincoln on his knees says: “No, that’s Burger King.”
5) Next the Korean leader leads his millions in a chant: “We win War! We Win War!!”… death to Americans by suppository special sauce on your toasted bum.
6) Next BURP puts up banners which say: “Keep Liberals angry with ‘false news ‘and you stand for ‘freedom of choice!’ We understand for nothing! To gather we fall.” The Liberals continue to be astounded and do nothing.
7) The Fox commentators stand and slap high-fives and misquote Lincoln: ”Divide and conquer the House and Senate!“ The Comb-over tweets: ”Always been colorblind. The flag is not red, white and blue it is white — salute and retweet?
8) Next is of a hurricane building in the shape of a mushroom cloud as the Self-Anointed Televangelists About Nothing (SATAN) and BURP point at it and drop to their knees and confirm: “There you see the Bible told us so: There is no climate change change.”
9) Is blank in case there is an encore.
This is another entry in my series of plot studies. Click here to read the previous one.
A young student of American history goes to a job interview. The employer who interviews him tells him: “Your job, like this country, requires that you tell the truth because all of us are relying on each other. You can debate the facts but you cannot make up false facts” and then she asks him one question: “What is the difference between a football player who fakes an injury to stop the clock and a baseball catcher who moves his mitt to try to convince the umpire the pitch was a strike?” The young student knows the answer instantly: “The football player is breaking the rules by creating ‘false facts’ with his false injury, but the baseball player is not changing the fact of the pitch because the umpire can see it from beginning to the end. The baseball player is only an advocate but not dealing in false facts.”
Convinced that he has a clear understanding of “America’s pastime” and that he will get the job, he goes to a baseball game that afternoon and sits in the bleachers with the fans of both teams. Surrounded by his fellow Americans he happily joins in and argues each ball and strike and catch and call made by the umpires at the game. He sees the same game as the fans of the different teams but all afternoon they enjoy the discussion and their debate and he concludes not only the baseball game but also the debate and discussion are “the American past time.”
On his way home he turns on the radio and he hears the home team’s broadcast and then switches to the radio station for the visiting team’s broadcast and he hears an entirely different story. He notices it is not at all what he saw at the game because both radio stations are making up a story of the game for the fans that are listening to them. As he switches back and forth between the stations he realizes that the broadcasts are coming up with an entirely different score and in the wrap-up of the game entirely different league standings.
He is angry when he gets home but he finds both of his parents weeping. He tells them about the conflict between the broadcasts and he asks them: “What are they doing to America’s pastime ?”
Both parents look at him and ask him: “What are they doing to America?”
This is another entry in my series of plot studies. Here’s the previous one. And the next.
In my previous posts, I published Plot Studies #1 as a comedy, and #2 as a musical, both based on our current politics. Is plot study number #3 a tragedy or a puppet show? You decide.
The time and place: Let’s see if our current political environment could be written as a Shakespeare tragedy, say like Julius Caesar (performed somewhere other than in Central Park)? Let’s say that the government of Rome has evolved from a republic to a democracy and on to an oligarchy and that Caesar’s friends and family are running the empire.
The Cast of Characters: A group of historians and law professors and their students and lots of well-meaning myopic liberals who want the republic back (The rule of law) but are too disorganized and apolitical to be effective in advocating for their position. Just for fun let’s call them the Democratic Party.
A Group of all the richest Romans, led by Julius Caesar, who is one of them, but is controlled by this group who want to always increase their power and pay less, or perhaps next to no taxes but receive all the benefits of being Romans (The oligarchy). Just for fun let’s call them Republicans.
And a huge mob, the “peanut crunching crowd,” that thinks with its stomach and votes in the bathroom (The democracy). They are fed by Caesar and his friends a form of pablum which includes facts, false facts, and huge amounts of fantasy, all mixed together and called “news.” They are, of course, constitutionally well armed so that they can kill us and each other. Just for fun let’s call them the advocates and lovers of our present democracy. (Isn’t this great, we start with a cast of millions.)
The plot: As the play starts, Caesar is being investigated by a special prosecutor which he can’t seem to figure out how to get rid of, so Caesar has decided to protect his control by creating constant conflict among the citizens of Rome to avoid unification against him and perhaps total power for him in the future in the event that the special prosecutor recommends his impeachment. (This is exciting – I’m already feeling tragic.)
The way to do this is to pit the well-meaning myopic liberals against the peanut crunching crowd on the issue of race and immigration and to build a wall all around the empire to keep immigrants out to make sure the myopic liberals keep his base polarized and well armed for him. (It’s getting great – it’s all starting to go to hell!) The well intended myopic liberals are so blind and morally correct that they can’t realize that they are playing perfectly into Caesar’s hands. (Yes! Yes! There is a lump in my throat and I’m starting to well up with tears.)
Caesar is building up his army by feeding his followers the pablum as fast as he can so that they will be as angry as possible and loaded down with weapons if the special prosecutor recommends impeachment. (Wow, this is so good! It feels authentic – it’s almost like real life! But how is it going to end? How is it going to end?)
So back to the question: Is this a tragedy or a puppet show? I think that is determined by how it ends. If Caesar prevails with his plans, he can cut Obamacare and reduce taxes because it can be produced with only two characters. Caesar with his right hand on the constitution and his left hand making a single string puppet (which is holding the eye glasses of the liberals as it trails peanut shells) dance! But if we follow the Shakespearean example of Julius Cesar, it is a tragedy of greater proportion because in the second half of the play the Roman empire is divided among the lesser oligarchs. Let’s call it forever polarized by ignorance.
Maybe if Cesar doesn’t divide us and we took action together, all of us, we could write a happier play and call it maybe: “All’s Well that Ends Well.” It’s not too late.
This is another entry in my series of plot studies. Here’s the previous one. And the next.
Let’s see what would happen if “we the people” (the audience), wrote our own musical and cast the playwright & librettist as the Congress and the President, and cast their investors as the titans of Wall Street? (Wow– could this be a “revolutionary” musical?)
The Time & Place: How about our politically gridlocked America? (It is starting to sound like a revolutionary musical!)
The Cast of Characters: Since we are writing it let’s make us, the audience, the heroes, and the playwright, librettist and investors our official villains since they are all dedicated to entertaining the audience by feeding us what they want to hear in order to be able to secure their jobs and protect the wealthy from taxes — employing a smokescreen of misinformation and false news in order to entertain their audience by keeping them angry. (They probably won’t be singing Hamilton hip-hop but let’s see what they come up with “for a song and dance.”)
The Plot: The playwright and librettist entertain us by creating manipulated conflict between the bottom 99% of the audience. The poor versus the poor (which pretends it’s the middle class) so no one will see the puppeteer, the super wealthy? ( I feel a song coming on): Let’s have Wall Street Open the show by singing: “Market Share.” A big bang up number! The first lines could be:
“The bigger the market, the bigger our share /
The more we steal, the less they care! /
Let’s fleece my sister, let’s fleece my brother /
As long as they’re angry at each other. /
Isn’t it sweet, isn’t it funny /
How they love us when we take all their money?”
Hey, it’s “the song and dance”! Let’s call it “The Political shuffle.” (Oh man, the songs are coming fast and furious):
Congress can swing the next song:
“Make Yourself the Perfect Job” (about how gerrymandering can get our elected representatives lifetime employment with the best benefits and retirement their audience can afford, and then the entire audience can rise in opposition and sing:
“The No Wealth No Healthcare Blues” (which can be sung by ZIP Code first by anybody who lives around an emergency room, including patients, doctors, healthcare professionals, and then by everybody in the surrounding ZIP Codes spreading out across the country who is paying (unless you own your own hospital).
Now let’s give the politicians some hand clapping songs:
“I hate ‘tax and spend’ /
Unless I’m where all the taxes end.”
And then a solo for a tone deaf President:
“Free the rich, enslave the poor /
The land of opportunity is no more.”
And then some hand clapping songs for us:
“The false news, no news… /
The Propaganda blues.”
(We could even have the Supreme Court do hip-hop, but they would have to have a rhyme scheme of ABBA because they are too polarized to agree to rhyme together) but maybe they harmonize with the song “Ventriloquism”:
“Yo- Citizens United, long may it last! /
‘Free-speech’ is that what you call it? /
You vote now with what’s inside your wallet /
And we speaketh from where once we passed gas?”
(But wait – just occurred to me – how can we pay for this?) Well if we are the audience, we already have!
So what should we call our new musical?
“Just Keep Us Fighting Among Ourselves?” – No.
“You Think We Are Too Stupid for Democracy?” – No.
“What Happened to My Country? – No.
How about, “Let’s NOT Follow the Money”? – No.
We could close with a kick line and just drop the curtain or …Maybe we could all stand up and remember that we are all Americans who can sing together?
This is another entry in my series of plot studies. Here’s the previous one. And the next.