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The Older You Get the Shorter Your Stories Should Be

A warm, witty collection of bite-sized stories, outsized characters, offbeat observations, and globe-trotting misadventures, The Older You Get the Shorter Your Stories Should Be is a lighthearted chronicle of a lifelong storyteller.

“Reflections on a well-lived and adventurous life… charming, funny, poignant and wise.” — Drew Faust, President Emerita, Harvard University

“A riveting and rollicking collection of tales… With brutal candor and self-deprecating wit, Bowie unspools stories that both entertain and pack plenty of wisdom.” — Ben Bradlee Jr., Pulitzer Prize-winning editor of The Boston Globe’s Spotlight Team

“Pearl after pearl — brief easily-accessible stories that reflect the unclouded eye of the author for all things honest, compassionate and revelatory. I laughed, cried, reflected, regretted and rejoiced.” — Ty Cobb, Prominent Washington, D.C. lawyer and former White House Special Counsel

Now on Amazon!

An Accidental Diary

A sonnet a week for a year

An Accidental Diary has just been published. I am both surprised and extremely proud of my unusual book.

In writing a sonnet a week for a year, I discovered — almost 20 years later — that I’d created a wild subconscious diary in a year of transition.

It was whatever was on my mind Sunday night while working to meet my deadline.

It was what I had kept hidden from myself back then and what years later would happen: fond recollections and musings on loss, lust, love of family, my fear of dying alone, a sad divorce and, back then, even efforts to quit smoking.

I hope you’ll give it a read.

“The Naked House Painting Society”

“Easily the festival’s best. Riveting drama with genuine humor and intense relationships. Mystical in nature, the play turns on incisive philosophical dialogue.” — Winifred Walsh, The Baltimore Sun

 

“Slavery,” a play in one act

Ownership is the issue as two associates draft a patent at a huge law firm in Robert Bowie, Jr’s one‑act play “Slavery.”

“Crash & Burn PA”

“It’s pretty damned refreshing. Tightly woven, with comic prowess and a nicely fast pace. If you want a carefree night of fun and laughs, this is your ticket.” — Pandora Locks

“Witchcraft,” a play in one act

“‘Witchcraft’ offers the suspenseful flavor of Alfred Hitchcock show. The drama unfolds with many unanticipated twists and turns…” — Janet Stidman Evleth

Poet Laureate - Harvard Alumni Association

Robert is also an accomplished poet and HAA Poet Laureate. You can read some of his poems here.

 

Plays by Robert Bowie, Jr…

Sold-Out Shows, Rave Reviews!

Our FringeNYC premiere could not have gone better…

ONAJE sold out all five shows, the performances were riveting, and both audiences and critics were exceedingly positive. Check out these great reviews from onstageblog.com and Theatre is Easy (theasy.com) .

Thanks again to our incredible cast, crew, and creative team — and to everyone whose generous support helped bring ONAJE to life!

Recent Posts

Sound Without Fury

Sound Without Fury

Everybody knows there’s nothing worse than a deaf extrovert — except for the deaf extrovert or, worse, perhaps a person trying to learn how to be a deaf extrovert.

This spring, Susan and I went to the London Book Fair for a week, and to Paris for three weeks in late April.

I am an introvert but I have had to learn to be a deaf extrovert.

Susan and I were invited to a large, loud, and formal restaurant party, where I was seated next to a woman who I could not hear at all. I decided I would ask her questions so she would not ask me questions that I couldn’t hear or answer.

I asked her questions all night and after dinner was over, she went over to my wife and exclaimed to her that I was the most interesting dinner partner she’d ever had.

Such challenges are a gift to those who are growing old and deaf. Everything becomes redefined. It’s just like when you were a kid and looking through spy glasses to bring the distance up close but then you turn it around and everything looks far away.

London was new for us and the book sale hustle brought me back to my work ethic of years ago, but Paris is familiar to us because we have gone each spring for several years.

What is fun is these changes are making me understand the contrast and that contrast has always been there as a metaphor for memory or as familiarity. It’s a little like turning that spy glass around and then thinking about the process of change rather than instantly normalizing it.

The contrast has always been there. But nobody notices because we change everything into normal immediately in our daily lives. We take this contrast and this friction in our life for granted.

The London Book Fair was a predatory hustle. I was provided 30 copies of my book, The Older You Get the Shorter Your Stories Should Be, by my sponsor. I was instructed to selectively give them away to people who visited their booth to promote the book. I was surrounded by posters about the book, which added to the hustle.

I had to learn how to adapt so that I would get the most effective reaction to my gift of a book. I quickly learned to single out my target, interview them and get their card before I gave them my book. Nobody likes a deaf introvert, so you have to get them talking fast about themselves and their interests in books like yours. If I got their card, I could exchange emails with them later without needing to hear them.

In Paris, Susan and I decided to master the Metro. I don’t speak French, so it was easy being deaf. Susan does speak some French so she would break the ice and then, because everyone in Paris can speak English, I would be back to the struggle. The level of concentration needed when you can’t fully hear is exhausting.

But the peace of pure silence once the hearing aids come out is its own reward.

Make America Generous Again

Hey, don’t get me wrong, I’m all in on this “Make America Great Again” (as long as it’s the greatness I remember from the late ’60s and early ’70s — right on!). I saw the people rise up against the Vietnam War and and I saw an American president resign in disgrace...

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Shallow Water Yoga

When American politics finally pushes you over the edge, I can save you. I've been there. Right now it's even worse than when I ran for office in 2014 in a gerrymandered Republican district. I could feel the country dividing and polarizing, so I decided to run — even...

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Lily-livered

Over the last month, I have tried to understand what it feels like to be a real coward. Not just an everyday coward who lacks courage or is very fearful or timid, not even a lily-livered coward. I have tried to understand what it must feel like to be a Republican...

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About Robert Bowie, Jr.

Playwright and Poet Robert Bowie, Jr. of Baltimore, Maryland has had ten plays produced, including  “Onaje,” which was selected for professional production at FringeNYC in October 2018. Its five sold-out FringeNYC performances received rave reviews. Other plays include “There Ain’t No Wyoming” and “Naked House Painting Society,” which were produced through The Baltimore Playwrights Festival. Bowie’s political farce “Crash & Burn P.A.” was the only submission selected by the 2016 Festival Committee for a full production at Theatrical Mining Company, Baltimore.

Bowie’s plays are focused on social justice and span a broad spectrum between drama and comedy. His subject matter ranges from racial prejudice and civil rights to political farce.

Bowie is a graduate of Harvard University and is the Poet Laureate of The Harvard Alumni Association (HAA).

His well-reviewed collection of sonnets, An Accidental Diary, is available to order online.

“Without the arts, we are a rudderless boat.”
— Robert Bowie, Jr.