THIS SUNDAY! 8:00 pm (ET)
The Jocunda Festival presents a play reading of Robert Bowie, Jr.‘s The Grace of God & The Man Machine, a Black Lives Matter play.
A Talk Back Q&A with the playwright, director, actors, and audience will follow, led by Van Dirk Fisher, the director and founder of the Riant Theatre. CLICK HERE to learn more…
Donation: $15.00 to benefit Riant Theatre.
Sunday, October 25th, 8:00 pm (ET) on Zoom
“The Naked House Painting Society”
“Easily the festival’s best. Riveting drama with genuine humor and intense relationships. Mystical in nature, the play turns on incisive philosophical dialogue.” — Winifred Walsh, The Baltimore Sun
“Slavery,” a play in one act
Ownership is the issue as two associates draft a patent at a huge law firm in Robert Bowie, Jr’s one‑act play “Slavery.”
“Crash & Burn PA”
“It’s pretty damned refreshing. Tightly woven, with comic prowess and a nicely fast pace. If you want a carefree night of fun and laughs, this is your ticket.” — Pandora Locks
“Witchcraft,” a play in one act
“‘Witchcraft’ offers the suspenseful flavor of Alfred Hitchcock show. The drama unfolds with many unanticipated twists and turns…” — Janet Stidman Evleth
Plays by Robert Bowie, Jr…
Sold-Out Shows, Rave Reviews!
Our FringeNYC premiere could not have gone better…
ONAJE sold out all five shows, the performances were riveting, and both audiences and critics were exceedingly positive. Check out these great reviews from onstageblog.com and Theatre is Easy (theasy.com) .
Thanks again to our incredible cast, crew, and creative team — and to everyone whose generous support helped bring ONAJE to life!
It is unfair, but once again I am the lucky one. These people are unique!
This Sunday, October 25 at 8:00 pm (ET) my play, The Grace of God & The Man Machine, will be performed in a Zoom/virtual public reading by director Van Dirk Fisher and the Riant Theatre. CLICK HERE to get tickets.
When the theaters open up, it will be presented live on an open stage with audiences seated to watch it, but for now this performance is an example of an industry‘s remarkable ability to maintain itself and continue to create.
In early March of this year, we had just finished a table reading of the latest draft when New York started to shut down because of the pandemic. Just two days ago, nine months into this, Kevin R. Free, the New York director who ran that reading, begged on Facebook for people to please wear masks as he described the devastation on the performing arts industry and its 12 million artists:
“This is personal to us, our whole livelihood depends on social solidarity and we will not be labeled ‘non-essentials.’”
Artists have always been essential. They are the counterpoint to propaganda.
Now in an American election year which will define who we are, the theaters are closed. But this industry defines itself like no other: “The show must go on.”
In these times, an amazing cast of professionals (several of whom have Broadway credentials and all of whom are brilliant) are the ones to uphold this responsibility under these very difficult situations.
Artists in all forms are examples of independent courage. I found the same grit and determination when I first started to learn about writing for theater in Baltimore at the Baltimore Playwrights Festival years ago. I have come to love these people and this world which these artists create even though I am forever new to it.
There is a tenacity and courage in every member which is profound. Repeatedly, as I have met and worked with Van Dirk Fisher and the Riant Theatre on this production, and with others like Christian De Gré Cardenas and Mind the Art Entertainment, Sue Conover Marinello, Katie Marinello, and Parker Bennett, I have learned grit and courage from them.
For this production on Sunday night, I benefit from this resilience and creativity. Since the beginning of the pandemic, Van has responded to this nightmare by developing the art of virtual backgrounds and performance skills for virtual reality theatrical productions.
Think about that. You get knocked down you get back up.
Please join me and watch these remarkable people offer a counterpoint to the propaganda of an election year.
Come if you can. And if you can’t, please donate to support the theater if possible.
I'm thrilled to share that a reading of my play, THE GRACE OF GOD & THE MAN MACHINE (formerly known as Onaje), will be presented by the Jocunda Festival this Sunday, October 25th, at 8:00 p.m. (ET). There will be a Q&A afterward with the playwright (yours...
While waiting for a single engine plane By a grass runway at the edge of Hell I feel the evening come and watch the rain And when the last flight is, at last cancelled, I feel the breeze from an open window. It gathers and it recreates its self Perhaps from its...
“You be in this box of artificial light. It feels like a hot house where nothing blooms Under this neon ceiling that burns all night. Where is the daylight in this damn courtroom? Why doesn’t the jury already know? My lawyer says ‘let them deliberate’ And then goes...
About Robert Bowie, Jr.
“Without the arts, we are a rudderless boat.”
— Robert Bowie, Jr.