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“The Naked House Painting Society”

“Easily the festival’s best. Riveting drama with genuine humor and intense relationships. Mystical in nature, the play turns on incisive philosophical dialogue.”
— Winifred Walsh, The Baltimore Sun

“Slavery,” a play in one act

Ownership is the issue as two associates draft a patent at a huge law firm in Robert Bowie, Jr’s one‑act play “Slavery.”

“Crash & Burn PA”

“It’s pretty damned refreshing. Tightly woven, with comic prowess and a nicely fast pace. If you want a carefree night of fun and laughs, this is your ticket.”
— Pandora Locks

“Witchcraft,” a play in one act

“‘Witchcraft’ offers the suspenseful flavor of Alfred Hitchcock show. The drama unfolds with many unanticipated twists and turns…”
— Janet Stidman Evleth

Invitation Only Reading in New York

For Artistic Directors and Producers ,we are holding an invitation only reading of “Onaje,” produced by Blue Panther Productions.For information and invitations please email Laura Lundy.

Sunday July 30 2017 at 3 P.M.
At DeSotelle Studio
300 W43rd St,
New York. NY.

THE PLAY
Reno, 1980. A black hitchhiker is hit by a white cowboy and waitress speeding down the freeway on a get-away. The collision becomes much more dangerous when the unlikely trio realizes that two of them are inextricably linked together through the long-buried secrets of their past. In a shocking conclusion, they are forced to return to everything they escaped and stand up against their deepest fears in a vicious stand-off. “Onaje” is set in two worlds, Maryland 1980, and the civil rights riots in the Eastern shore in 1967.

“Without the arts, we are a rudderless boat.”
— Robert Bowie, Jr.

About Robert Bowie, Jr.

Playwright and Poet Robert Bowie, Jr. of Baltimore, Maryland has had nine plays produced, including “There Ain’t No Wyoming” and “Naked House Painting Society” through The Baltimore Playwrights Festival, and has several more scripts in development. Bowie’s political farce “Crash & Burn P.A.” was the only submission selected by the 2016 Festival Committee for a full production at Theatrical Mining Company, Baltimore. Bowie’s plays are focused on social justice and span a broad spectrum between drama and comedy. His subject matter ranges from plays about racial prejudice and civil rights to political farce. Bowie is a graduate of Harvard University and is the Poet Laureate of The Harvard Alumni Association (HAA).

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Plot Studies #2 – The Musical

Let’s see what would happen if “we the people” (the audience), wrote our own musical and cast the playwright & librettist as the Congress and the President, and cast their investors as the titans of Wall Street? (Wow– could this be a “revolutionary” musical?)

The Time & Place: How about our politically gridlocked America? (It is starting to sound like a revolutionary musical!)

The Cast of Characters: Since we are writing it let’s make us, the audience, the heroes, and the playwright, librettist and investors our official villains since they are all dedicated to entertaining the audience by feeding us what they want to hear in order to be able to secure their jobs and protect the wealthy from taxes — employing a smokescreen of misinformation and false news in order to entertain their audience by keeping them angry. (They probably won’t be singing Hamilton hip-hop but let’s see what they come up with “for a song and dance.”)

The Plot: The playwright and librettist entertain us by creating manipulated conflict between the bottom 99% of the audience. The poor versus the poor (which pretends it’s the middle class) so no one will see the puppeteer, the super wealthy? ( I feel a song coming on): Let’s have Wall Street Open the show by singing: “Market Share.” A big bang up number! The first lines could be:

“The bigger the market, the bigger our share /
The more we steal, the less they care! /
Let’s fleece my sister, let’s fleece my brother /
As long as they’re angry at each other. /
Isn’t it sweet, isn’t it funny /
How they love us when we take all their money?”

Hey, it’s “the song and dance”! Let’s call it “The Political shuffle.” (Oh man, the songs are coming fast and furious):

Congress can swing the next song:

“Make Yourself the Perfect Job” (about how gerrymandering can get our elected representatives lifetime employment with the best benefits and retirement their audience can afford, and then the entire audience can rise in opposition and sing:

“The No Wealth No Healthcare Blues” (which can be sung by ZIP Code first by anybody who lives around an emergency room, including patients, doctors, healthcare professionals, and then by everybody in the surrounding ZIP Codes spreading out across the country who is paying (unless you own your own hospital).

Now  let’s give the politicians some hand clapping songs:

“I hate ‘tax and spend’ /
Unless I’m where all the taxes end.”

And then a solo for a tone deaf President:

“Free the rich, enslave the poor /
The land of opportunity is no more.”

And then some hand clapping songs for us:

“The false news, no news… /
The Propaganda blues.”

(We could even have the Supreme Court do hip-hop, but they would have to have a rhyme scheme of ABBA because they are too polarized to agree to rhyme together) but maybe they harmonize with the song “Ventriloquism”:

“Yo- Citizens United, long may it last! /
‘Free-speech’ is that what you call it? /
You vote now with what’s inside your wallet /
And we speaketh from where once we passed gas?”

(But wait – just occurred to me – how can we pay for this?) Well if we are the audience, we already have!

So what should we call our new musical?

“Just Keep Us Fighting Among Ourselves?” – No.

“You Think We Are Too Stupid for Democracy?” – No.

“What Happened to My Country? – No.

How about, “Let’s NOT Follow the Money”? – No.

We could close with a kick line and just drop the curtain or …Maybe we could all stand up and remember that we are all Americans who can sing together?

(Costume + Set) – Plot = ?

The "Costume" in my case was white tie and tails with a perfect black top hat". The "Set" in my case was the Harvard graduation of last week. The "Plot": Because of the custom of complete secrecy I had been told only a few days before that I had been selected to...

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