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“The Naked House Painting Society”

“Easily the festival’s best. Riveting drama with genuine humor and intense relationships. Mystical in nature, the play turns on incisive philosophical dialogue.” — Winifred Walsh, The Baltimore Sun

“Slavery,” a play in one act

Ownership is the issue as two associates draft a patent at a huge law firm in Robert Bowie, Jr’s one‑act play “Slavery.”

“Crash & Burn PA”

“It’s pretty damned refreshing. Tightly woven, with comic prowess and a nicely fast pace. If you want a carefree night of fun and laughs, this is your ticket.” — Pandora Locks

“Witchcraft,” a play in one act

“‘Witchcraft’ offers the suspenseful flavor of Alfred Hitchcock show. The drama unfolds with many unanticipated twists and turns…” — Janet Stidman Evleth

Poet Laureate - Harvard Alumni Association

Robert is also an accomplished poet and HAA Poet Laureate. You can read some of his poems here.

Plays by Robert Bowie, Jr…

Sold-Out Shows, Rave Reviews!

Our FringeNYC premiere could not have gone better…

ONAJE sold out all five shows, the performances were riveting, and both audiences and critics were exceedingly positive. Check out these great reviews from onstageblog.com and Theatre is Easy (theasy.com) .

Thanks again to our incredible cast, crew, and creative team — and to everyone whose generous support helped bring ONAJE to life!

Recent Posts

Still Freaked Out After 30 Years

Still Freaked Out After 30 Years

chum, chummed, chum·ming (verb)
To fish by attracting fish by dumping cut or ground bait into the water.

 

The Blue Hole of Belize

Was I the fool of this sinkhole of the sea
Or its pupil in this aqua ocean?
As I fly home, it looks back at me
Without memory or emotion.

Three days ago, while taunting me, Miguel
Said: “You dived it but not with me before.
I dive it deep. I dive it right to Hell.”
He took my money but wouldn’t tell me more.

Off the boat, with Miguel still behind,
We checked our gear and descended into cold,
Deeper, darker, to fear of a different kind:
Sharks. Hundreds of then. Darting from the shadows.

At the boat Miguel offered a helping hand,
Laughing. ”You understand? We chummed it man.”

Long Ago and Just for Giggles — A Tale in Two Sonnets

Almost 25 years ago, on November 29, 1995 I visited the Mayan city of Tikal with two stoners before its restoration: The stars over Tikal are frightening and bright. I am here, on sacred land, in the jungle Before dawn in the Guatemalan night. The moisture and...

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For Father’s Day – Shaving My Father

(From the draft I wrote the day after my father’s death at 104.) This is the last small room he will live in. Every day I visit him at 4 O'clock. We balloon the room with our forgiveness. “Either this man is dead or my watch has stopped.” “Not funny for a man this...

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About Robert Bowie, Jr.

Playwright and Poet Robert Bowie, Jr. of Baltimore, Maryland has had ten plays produced, including  “Onaje,” which was selected for professional production at FringeNYC in October 2018. Its five sold-out FringeNYC performances received rave reviews. Other plays include “There Ain’t No Wyoming” and “Naked House Painting Society,” which were produced through The Baltimore Playwrights Festival. Bowie’s political farce “Crash & Burn P.A.” was the only submission selected by the 2016 Festival Committee for a full production at Theatrical Mining Company, Baltimore. 
 
Currently, Bowie is working on a operetta in partnership with Mind The Art Entertainment. Entitled “Vox Populi,” it is a comical, interactive tale about the deadly sin of pride. 
 
Bowie’s plays are focused on social justice and span a broad spectrum between drama and comedy. His subject matter ranges from plays about racial prejudice and civil rights to political farce. 
 
Bowie is a graduate of Harvard University and is the Poet Laureate of The Harvard Alumni Association (HAA).

“Without the arts, we are a rudderless boat.”
— Robert Bowie, Jr.