Select Page

Plot Studies: Let’s see if we can create a comedy based on a conspiracy theory.

Let’s set the stage in a political world locked in gridlock. (OK – this is a good start.) Let’s make the conspirators: “The Evil institutions of our government “and let’s make the rest of us the “Innocent victims”. (OK -good guys and bad guys.)

The Plot: OK what if the Politicians are conspiring to stay in office with the use of gerrymandering and they really don’t care about us as innocent victims. What if each state legislature, when it carved out the districts for its political party thinks only about keeping those in office, permanently in office. (This is great I’m laughing already.) What if that makes the state legislators the creators of jobs which have the best healthcare and retirement packages in the country and are set up, because of the gerrymandering, so that their bosses can’t fire them. (This is hilarious.) Even better they “own ” their bosses by keeping their bosses angry with the gridlock so their bosses won’t fire them. (I’m loving this.) No Wait – what if their bosses are actually not the voters? The voters are only paying the government with their taxes and the government is paying the politician’s salaries but the government isn’t keeping them in office. (OMG). It is the campaign contributors, the wealthy and the special interests and the PAC’s that pay for their campaigns and the campaigns keep them in office. (It’s OK because every comedy has to have surprising twists and turns).

And when we are laughing so hard that there seems to be no way to catch our breath…in rides the national media on a White Horse to save the day. (But that’s not funny and it is sort of a buzz kill –it kills the humor) So let’s just say that the national media would be funny if it was lazy, never researched anything and got advertising by reporting on the hysteria created by the polarization. (OK it’s getting funny again) In fact all they have to do is scream at each other to keep everybody entertained! (I just found myself slapping my knee). But wait – any given station could just run reruns of ” All in the Family” or old “professional wrestling tapes “to have people screaming at each other. (That might be confusing because it might seem like the news is only entertainment -that could be a real problem!) So it won’t work if all the stations are doing the same thing. (Oh No I just become horrified and stopped laughing. What if all the national media were caught presenting only boring entertainment?) No! No, the answer is the national media has to POLARIZE to keep their ratings up and maintain the rolling laughter!

Why am I not laughing? This is getting a little scary! Maybe it’s a tragedy.

 

This is another entry in my series of plot studies. Click here for  the next one

A Sonnet

My Little Stone Buddha

Like a glass eye looks into the abyss,
My little stone Buddha, on the bookshelf top,
Sits as a “symbol” of “inner peace” and “bliss”;
But as “symbol” is he what he is not?

Is he not just my sculpted end of pain?
The mirror looks back into my wild eyes,
And my old eyes look back at me insane.
Tonight, the pain is deep. Can’t the glass eye cry?

Is everything just a symbolic meaning?
Sure, why not? Probably even for him:
Crosses, numbers, alphabets for reading.
Is he not made from me and my dark within?

Does not the self, not the Buddha, hold the bliss?
We make much of nothing, which is all of this.

A Sonnet

The Order in Things

The last swallow flies low over the lake.
The thick fir trees become the first darkness
Gathering along the shore. Leaves cease to shake.
The dusk foreshadows the lake’s silence.

The deep quiet is its own diversion.
The world is peaceful. My thoughts my own.
I change places but not location
As the mind takes in the scene and is alone.

Standing cold on the dock tonight
I think about the fish roaming hungry
Below while the preying birds in their flight
Circle above. Held in tranquility

Is the bird above and the fish below.
There is order in these moments that come and go

“Onaje” Gets Its First Staged Reading

“Onaje” Gets Its First Staged Reading

Thanks to everyone who attended as we kicked the tires on “Onaje” in its first formal staged reading, February 22, 2017 in San Francisco. I’m so grateful for the talents and contributions of director L. Peter Callender of the African American Shakespeare Company, and producer Laura Lundy of Blue Panther Productions.

The actors all did a fantastic job bringing the characters to life, and it was great to see the shape of the play, to hear the words out loud, and get some welcome feedback from everyone.