Select Page

Okay, I may have a problem. I am a recovering lawyer and now aspiring playwright and poet. Is it possible that I miss time sheets? “Every six minutes” for a lifetime?

People used to say: “You are what you eat,” but what if you are what you “do” or have done?

Maybe I’m getting worse. At the law firm, I made a rule that if anybody could finish a story that I was telling I would stop telling it.

Now I don’t care. If I can get a second laugh or even a third from the same story I will repeat it, again and again. (And I’m going deaf so I’m the only one who doesn’t have to hear it.) It could be senility. It could be I’ve lost any sense of embarrassment, but it definitely demonstrates no merciful memory loss, at all.

The other thing is, even in retirement I must “work.” I have grown even more intolerant of delay because everything I’ve written should be on stage by now! Damn it!

What has happened to me?

In the past year, I have written or rewritten three plays. One (Onaje) has been produced in New York, two will be produced in New York (Vox Populi, for which I wrote the libretto, and The Grace of God & The Man Machine). Another, The Naked House Painting Society, is looking for a home.

Yes, I used to be impatient as a lawyer but now my stuff is not produced fast enough? Do I still need litigation? The need to measure work on massive conflicts in tight building blocks of measured time along with a new project have made me afraid.

I have started working on a poem based on Dante’s Inferno. Dante’s Inferno has 34 cantos and 23 six-line stanzas in each canto. That in itself was my wake-up call. How sick is this?

The law can definitely create “delusions of grandeur.” Might it also imprint the structured, ordered, anal impact of time sheets?

Is it now that I require 34 cantos and 23 six-line stanzas in each canto? Seriously? But I haven’t given into it yet, I think.

Still, as I started the Prologue and began to “write about what I know,“ I found a schizophrenic litigator’s theme begging for harmony. This is how it starts:


Prologue

With first light, or birth, or perhaps before/
And maybe after, comes the dialogue:/
The debate in the mind. Waves on the shore/
Each overriding the last. No monologue./
 
Two nagging voices in constant conflict./
One “as doubt“ the other “as hope,“ both spent/
Bickering on some path I did not pick/
Living the daily schedule of events/
 
As I wake and wonder where each day went:/
The debate in the mind. Waves on the shore/
Each overriding the last. What event,/
What plea, what prayer from my central core,/

What keeper of my life long travel log/
Can cure me of this endless dialogue?/

 
 
I start with a sonnet? How sick is this?

T.S. Eliot said:

“evenings, mornings, afternoons,/
I have measured out my like with coffee spoons;”/
And the poor man was just a banker.

 
Still, it will be funny and too long for me to repeat, so that may be progress.