by Robert Bowie, Jr. | Jul 12, 2022 | Featured, Man Machine, Personal, Plays
This morning was hard. I woke up and it was raining. Over the last month, I have been coming to recognize a hard truth — which I finally realized this morning.
Over five years ago, I started this blog to force myself into a weekly discipline, to improve my writing skills and to explore how I could start a whole new career after retirement from a very happy first career as a lawyer.
My whole life I had quietly wanted to see if I could create a life as an artist.
After writing 10 plays for the wonderful little theaters in Baltimore, I decided to see if I could break into New York professional theater and I committed to writing and publishing poems.
I took classes at the New York Commercial Theater Institute and was fortunate to be accepted into the poetry program at Bread Loaf in Vermont.
All of a sudden, it was starting to happen, this improbable dream of mine.
My play “Onaje” was selected by FringeNYC in 2018 and, after great reviews, got picked up and nurtured by a NYC producer. After the rewrites and several table reads to make it a more fleshed out two-act play, “The Grace of God & The Man Machine” was ready.
But then COVID hit in March of 2020. The theaters shut down just as we were waiting to open off-Broadway.
Then in February of this year, we were ready again. We planned to open off-Broadway in November 2022 for a one-month run at Theatre Row on 42nd Street.
Also this year, I published “An Accidental Diary: A Sonnet a Week for a Year,” so we were on our way.
The dream was coming true!
But then, a month ago, COVID struck again and the producer went out of business after 15 years of producing successful shows. Even still, the producer offered the use of the performance space if I could find a new producer with such short notice.
This seems like an impossible task. I looked in the mirror this morning and I said it: “This lifetime dream may not happen.”
But then I realized, I’m not ready to give up just yet. Somewhere out there, there may be a partner, or a resource, or some other way to make this happen.
I turned away and looked for a diversion, for good news to chase away this awful gathering sadness.
Well, last week I learned that, along with my sonnet “Summer Thunderstorms” being chosen a runner-up for the Robert Frost Foundation poetry contest this year, “City Snow” had been included in the “Maryland Bards Poetry Review 2022” anthology. Both poems are from my book, “An Accidental Diary.”
I sat down by the window and opened my little book and reread “Summer Thunderstorm”:
Summer Thunderstorms
As with the generations long since dead
The fire and brimstone of the status quo
Wakes him up from the safety of his bed
And lightening frames him in the window
And photographs him in its afterglow.
Tonight he feels his present and its past
As the summer storm also comes and goes.
Conclusions are foolish in a world so vast.
For at the edges of his world and heart
Far past the farthest boundary of his grasp
Where ideas cause worlds to come apart
He lives in this place that will not last.
He loves his life more than he can explain
And leaves the window open to hear the rain.
I opened the windows to hear the rain.
After I looked out at the storm for a little while, I got a fresh cup of coffee and started writing this. I have stuff to do. It’s time to get back to work.
by Robert Bowie, Jr. | Jul 5, 2022 | Featured, Personal
This is a 4th of July American love story straight from my heart. It doesn’t go where you might expect.
In 2014, I sold my controlling interest in the law firm I had created in 1990 and ran for state delegate because I was terrified by the emerging polarization of our country. I lost in a gerrymandered jurisdiction. I never had a chance.
As a child, I hitchhiked through 40 states and met strangers from endlessly different backgrounds and every walk of life.
Back then my rides often came from soldiers who had hitchhiked around the country themselves after the Second World War. They stopped their lives to offer me kindness with no thought of anything in return.
A ranking officer in a top-down convertible drove me into Paris Island, the US Marine training facility, because I could get a carton of Camel cigarettes for 15 cents a pack at the PX. The marching soldiers saluted the license plates as we entered and as he returned me to the road.
I came to understand the unspoken secrets of a country that preached justice and equality but had built its wealth with slave labor on stolen land.
Although we often agreed to disagree, my rides and I shared a national pride. This country had saved a dividing world from fascism and had recently passed legislation like the Civil Rights Act of ’64 in an attempt to correct our world at home.
As I traveled shotgun, I learned to listen. That was my job.
We talked and they would tell me about the joy and sadness and insecurity they could not tell their wives. I learned so much from them.
Every ride contained an unspoken understanding that we would never meet again.
The growing polarization that has been dividing us now for years has slowly broken my old hitchhiker’s heart.
This 4th of July, my children came home with their loved ones and their children. Last night, we decided to revisit an old movie which they loved to watch each year on the 4th: “The Sandlot.”
Because I’m deaf now, I sat in a chair up front facing the TV, my back to them, my face hidden from them as I looked up at the screen.
It is a baseball movie about kids growing up in the late ’50s or early ’60s. It is nothing but foolishness but it holds the beauty of a united America that believes in Babe Ruth, the innocence of juvenile behavior, and baseball as a national pastime and religion. James Earl Jones is the linchpin of redemption just because he is, not because it is politically correct.
Sitting with my children and their loved ones and their children behind me, I could cover up ever so gently my unexpected tears as they came.
by Robert Bowie, Jr. | Jun 28, 2022 | Featured, Politics
I am willing to admit I’m a moron but who the hell are these “originalists”?
Supreme Court Justices Amy Coney Barrett, Clarence Thomas, and Brett Kavanaugh have all identified themselves as “originalists,” but it now looks like Alito and Gorsuch do too.
So what do these originalists believe?
Justice Amy Coney Barrett, when asked that question at her confirmation hearings, said: “I understand it [the Constitution] to have the meaning that it had at the time people ratified it. So that meaning doesn’t change over time and it’s not up to me to update it or infuse my own policy views into it.”
Okay, Let’s look at some history.
Since the originalists say they must interpret the Constitution based on the time it was ratified rather than interpret the evolution of the historical wisdom it has grown to contain, there is some “originalist” history that they may have overlooked.
The “originalist” history, back when our Constitution was ratified in September of 1787, means: (1) women could not vote or own property, (2) Black people were slaves and didn’t qualify as “people” and (3) interracial marriage was a crime that would get you jail time.
An originalist interpretation of the Constitution, if applied to the present membership of the Supreme Court, would eliminate two-thirds of the “originalists,” as well as a majority of the entire Court.
So Amy Coney Barrett should not vote and should surrender all property she owns and drop out of the Court. And what should they do about Clarence Thomas, or his marriage?
But it gets even more absurd and worse for the fantasy logic of these originalists:
“A Law repugnant to the Constitution is void,” wrote Chief Justice Marshall, the first Chief Justice of the Supreme Court, on February 24, 1803 when, in Marbury v. Madison, he declared unconstitutional a law passed by Congress and signed by the President, based on the Supreme Court’s right of “Judicial Review.”
Nothing, absolutely nothing in the Constitution gave Chief Justice Marshall and the Supreme Court this specific power of judicial review. It is not in the Constitution anywhere.
Marshall, however, believed that the Supreme Court should have a role equal to those of the other two branches of government, so he interpreted the “intent” of the Constitution even though the words were not in the Constitution.
So how can the “originalists” have any basis to review anything?
I’ll tell ya.
As an Economist correspondent recently pointed out, “5 of the 6 conservative Supreme Court justices were appointed by a Republican Senate majority that won fewer votes than the Democrats” and “3 of the 6 were nominated by a President who also won a minority of the popular vote.”
So where are we now?
Are we a democracy? Are we a republic? Or is this when we lose all that? Have you been watching the January 6th hearings?
The billionaire President who appointed three of these originalists, managed us for four years with lies and Twitter and, after he was voted out, more lies in order to organize an attack on our government based on the Big Lie of a stolen election, and all these lies were affirmed by Fox (not at all) News, Ingram and Carlson.
Isn’t it time to start the long hard revolution to take our country back?
The midterm elections have to be that revolution.
If the Trump support, the originalists, and Fox News win the House and the Senate for Republicans in the midterms, those Republicans will continue their coup d’état and attempt to overthrow our democracy. They have made no secret of this.
America has evolved beyond the originalists. We freed ourselves from a king once before. We freed the slaves. We recognized women’s right to vote. As a democracy we have created a history of humanitarian change, and are capable of great creativity and the capacity to govern with a big heart when we are not divided.
Let’s get back to being the US Again.
by Robert Bowie, Jr. | Jun 21, 2022 | Featured, Personal, Politics, Travel
In our class, the poet Elizabeth Bishop would teach poetry by taking any two poems and placing them side by side to see how they “illuminated each other” by comparison and contrast.
It was an exercise in both observation and communication but it also offered that fresh perspective on what was set in stone and had been taken for granted.
The more extreme the comparison and contrast the more it reawakens: A ripe apple and a red sports car? What makes them red? What makes them different? What makes them go? DNA and water versus oil and a gas engine?
How about like “politics” and “scuba diving”?
Let’s try it.
Well first, in contrast, they encompass two different worlds. One above water and one below. However, people have learned to communicate in both worlds, particularly in life-threatening situations.
How is that communication the same and different, and how can it offer a fresh perspective?
Through communication in politics, Donald Trump raised a quarter of a billion dollars ($250,000,000.00) from small dollar contributions from his supporters to “stop the steal,” despite overwhelming evidence that nothing got stolen. Furthermore, he has convinced his supporters not to watch the January 6th Committee hearings where this was revealed and validated.
So you can’t use Twitter underwater.
But in scuba diving you have hand signals, which is a little more primitive but just as effective for short urgent messages.
All diving is done in at least pairs with each diver responsible for his or her buddy. If you go too deep and become a victim of nitrogen narcosis — which is the song of angels calling you to come deeper to your death. Your buddy should grab your fin and signal with a hand gesture indicating the cutting of one’s throat and then point to the surface. It’s life or death.
During one dive in the outer islands of the Caribbean, I was randomly paired with two Midwestern middle-aged men who already were friends.
We agreed to go down to about 90 feet and swim in formation, like airplanes, to cruise along the deep edge of a cliff overhang and be each other’s eyes and ears.
One of my new buddies, our wing man at the time, banged his knife on his tank to get our attention, made eye contact, and excitedly pointed straight down. He spread his arms way out wide, gave the finger to us, and then put his right hand on his head at a 90-degree angle as if it was splitting his head in half down the middle with an ax. The other two of us got it and looked down into the dark for a “Big Fucking Shark!”
Later that afternoon, sitting side by side with me at the bar, my two Midwestern buddies good-naturedly unloaded all the liberal Democrat jokes they had in rapid fire in my direction, and with mock astonishment I countered them with my defenses and went on the attack. Quite naturally we had come to trust each other with our lives underwater, using sign language which we made up as we went along. We were friends.
I would love to meet them again and learn from them again and laugh. I want to sit on that barstool, turn to look at them and, with a perfectly timed pause, stop deadpan and say: “TRUMP???” And then spread my arms out wide, give them the finger and put my right hand on my head at a right angle as if it was splitting my head down the middle with an ax. I’d love to have them laugh at that, for us to laugh together.
I want to laugh with my Republican friends again and have us trust each other again with our lives.
It beats drowning in an angel’s call.
by Robert Bowie, Jr. | Jun 14, 2022 | Man Machine, Personal, Plays
I opened the New York Times last week and turned to the theater section and read the headline:
“Dear Evan Hansen’ and ‘Tina’ to End Their Broadway Runs
“The musicals, both of which lost steam after the pandemic shutdown, will close in late summer.”
The article pointed out that before the pandemic Evan Hansen was making $1 million a week in sales but now, because of Covid, successful plays were again falling by the wayside. Tina, about the life and music of Tina Turner also had been doing very well.
Over the last two years, as I watched New York theaters close and reopen and struggle to sell tickets, this kind of news had become the soundtrack of my life. I was used to it by now.
I turned to check my email and noticed an email from Mind the Art Entertainment (MTAE), the producers for my play The Grace of God & the Man Machine, scheduled to open off-Broadway on November 21. It read:
It is with great sadness that I announce that I, as Founder and Resident Artistic Director of Mind The Art Entertainment, have formally submitted a recommendation to our Board to close our company after 15 years.
Producing in NYC is no longer viable for us after so many losses related to the pandemic, including 6 cancelled/closed back to back productions.
This can not be happening!
Almost two years after the remarkable success of a Onaje — my 90-minute one-act at FringeNYC in October of 2018 — after MTAE became its producer, and after several rewrites and three professional table reads lead by dramaturg/ director Kevin R. Free, we had a two-act play with an explosive finish. It ran fast and smooth like a river to a waterfall. We were ready.
Then, after that last table read in March of 2020, the pandemic hit and we all had to wait but we were ready.
In October of 2021, we were surprised and blessed to be offered a virtual trial performance directed by Van Dirk Fisher at the Reliant Theater, who was doing cutting-edge online productions to expansive theater-starved online audiences. It was well received.
We were so ready and this play was perfect for the politics of its time. Its time was now.
Early this year, it appeared that New York theater was opening up, and MTAE booked Theater Row for November to open a week-and-a-half after the midterm elections. That would be perfect.
Now, after almost four years of anticipation and preparation, we have a road-tested redemptive two-act play, rich with true American characters, timed to be performed in November after the midterm elections, but Covid variations were again on the rise.
And just like that, it is over.
The producers sent heartbroken apologies to everyone and have even offered to transfer the off-Broadway lease at Theatre Row free to support a new producer, but it will be next to impossible to mount the play unless a new team is in place by the end of this month.
Yes, I am heartbroken.
But throughout my whole life, I have been blessed by the opportunity provided by crossroads and disasters.
If you are a professional producer for New York theater, or if you know someone who is, just let them know I’m not dead yet and I would be happy to send them the script — but two weeks may not be enough time. (You can click the Contact link in the menu.)
Yes, I know it is almost impossible. But as Hamlet says, “the readiness is all.”
