For Everything There Is a Seasoning
What is so great about Classical Christian art is it is like getting morality training delivered in a horror movie.
You have to see it to believe it.
Consider Ugolino.
He is in quarantine for life and starving and has to either starve with his family or take care of his own bad self and eat his children.
His quandary is the classic question which pits self-interest against the rights of others.
He ended up at the bottom of Dante’s Inferno.
We have no vaccine or reliable testing that will allow us to determine who can go back to work without putting others in harm’s way.
We don’t have the equipment to make the correct decisions without all the information and we running out of time.
This is a horror movie scenario.
Maybe we have been kidding ourselves all along that our humanity is our ability to reason and think.
Maybe there are sometimes when you have to think with your feelings.
You have to see it to believe it.
In Jean-Baptiste Carpeaux’s sculpture of Ugolino and his children, you can feel the pain of Ugolino at the moment he is the making that decision. His children trust him.
It is that same decision which confronts the caregivers in emergency rooms and elected representatives as they reopen the country, decision by decision and case by case.
Look at all the expressions in that sculpture.