America, when it was created by its Constitution, mandated free political speech as a necessity for an open and free society.
All of that is at risk now, given the past administration. The most damaging is the legacy of “fake news” and the resulting propaganda.
Prior to the Internet, political news was sold by a press that was dependent on the reputation of the newspaper which sold it. The source and credibility of the information is what gave it value to the consumer and the advertiser.
Since the Internet and social media, these safeguards have been largely lost because the credibility of the writer and supporting facts need not be disclosed at all and therefore anything can be pitched as credible including propaganda and fabricated conspiracy theories. It is all the same unless the factual credibility and bias can be challenged reliably.
A newspaper Publisher is presently liable for “actual malice,” as liable as the writer of the article. However, social media platforms are legislatively protected from this same liability by Section 230 of the Communications Decency Act. What makes it worse is if there is no liability there is little or no incentive for these media platforms to police the speech they publish. And what makes it even worse is political advertising in a polarized country has been very lucrative.
The media platforms claim that they cannot possibly police all those who publish anonymously on their portals. But they can and the price to our country is too great if they don’t.
If we file to create a corporation, drive a car on the highway, use the court system, or do just about anything affecting the health and safety of our city or country, we as individuals are accountable for the truth of our identity and the information we provide in order to get licensing. But anyone, American or not, can publish on the Internet and disappear.
This is a battle which is about to go into full swing and where we live will be determined by the outcome. Our free speech and our democratic government are not “free.” We assume responsibility for preserving them or we all lose together.
For almost 45 years, I have lived in Baltimore. As a family, we always went to Orioles games together. However, I grew up in Boston and every once in a while, my son looks at me and says, “You’d better not be a closet Red Sox fan!”
I said nothing under the heavy weight of the unspoken politically correct vote to make Baltimore great again: There would be no Red Sox swag or such propaganda allowed in our house!
What is this propaganda, this loyalty that shuts down discussions of the merits of the Red Sox, my former home team, and why can’t I have this debate in my house?
A long time ago, a law professor asked me, “What is the difference between a catcher who receives the pitch and moves it over the plate to convince the umpire it was a strike and a football player who fakes an injury to stop the clock?” The catcher was an advocate, because the umpire always could see the pitch. But the football player was a propagandist — a marketer of misinformation and a liar — not an advocate.
Has propaganda fed the polarization for the last 30-plus years at the expense of the love of the game?
The victorious Democratic Party had better start celebrating the game, not the team, because the game is at stake. It will be very hard to do, because the Democratic Party has done nothing to understand the 70 million people who voted for Trump. The party has furthered polarization by caricaturing and mocking the Trump Republicans. Maybe they are not all racists, sexists, hayseeds, or billionaires?
In 2014, I ran for office as a Democrat in a gerrymandered Republican district and was summarily defeated. I knocked on well over 5,000 doors, and almost everyone I met was open and friendly until I disclosed I was a Democrat. Then they slammed the door in my face.
In 2016, my neighborhood was flooded with Trump signs. This election, there were far fewer Trump signs, but often in their place were signs for a Republican candidate running for Elijah Cummings’ vacant Congressional seat. The Republican candidate was African-American and a woman. Was the Republican Party more important to my neighbors than her race or sex?
In a democracy, there is little or no protection against propaganda. Because we value free political speech, we cannot legislate against it. One person’s advocacy is another person’s lies. The only defense we have to protect the game is to talk to each other, discover the propaganda on both sides, and reject it together.
When my son was seven or eight years old, I took him to Fenway Park to see the Red Sox play the Orioles. He insisted that he deck himself out in full Orioles regalia, orange hat and shirt. He was loaded for bear, as were the Red Sox fans all around us. For about three innings they heckled each other, which ultimately turned into a mix of respect and laughter. As we were walking out, he turned to me and pronounced, “Dad, their fans aren’t that bad. And Ted Williams? They may be right about him… maybe.”
Baseball is America’s pastime and maybe that’s why there are so many innings. Maybe it’s a long game because everyone around you must talk to you, if only just a little, no matter who they are or what their political party may be. It’s part of the game.
If we let them, they will argue about everything: balls, strikes, the wisdom of that pitch or this player — but there is no propaganda. Everyone has a seat at the game. You argue for what you actually see. If you buy obstructed vision, you pay less.
I want to get back to the American pastime. To start talking to strangers again when we meet and we are reseated at a game where we have come to cheer on our team, yes, but are also celebrating the game itself and its longevity and history. After all, we are Americans who have historically thrived on disagreement and compromise. It is what has made us who we are.
Maybe it’s time to throw out the first pitch, ask the first question, and then listen and learn.
It is unfair, but once again I am the lucky one. These people are unique!
This Sunday, October 25 at 8:00 pm (ET) my play, The Grace of God & The Man Machine, will be performed in a Zoom/virtual public reading by director Van Dirk Fisher and the Riant Theatre. CLICK HERE to get tickets.
When the theaters open up, it will be presented live on an open stage with audiences seated to watch it, but for now this performance is an example of an industry‘s remarkable ability to maintain itself and continue to create.
In early March of this year, we had just finished a table reading of the latest draft when New York started to shut down because of the pandemic. Just two days ago, nine months into this, Kevin R. Free, the New York director who ran that reading, begged on Facebook for people to please wear masks as he described the devastation on the performing arts industry and its 12 million artists:
“This is personal to us, our whole livelihood depends on social solidarity and we will not be labeled ‘non-essentials.’”
Artists have always been essential. They are the counterpoint to propaganda.
Now in an American election year which will define who we are, the theaters are closed. But this industry defines itself like no other: “The show must go on.”
In these times, an amazing cast of professionals (several of whom have Broadway credentials and all of whom are brilliant) are the ones to uphold this responsibility under these very difficult situations.
Artists in all forms are examples of independent courage. I found the same grit and determination when I first started to learn about writing for theater in Baltimore at the Baltimore Playwrights Festival years ago. I have come to love these people and this world which these artists create even though I am forever new to it.
There is a tenacity and courage in every member which is profound. Repeatedly, as I have met and worked with Van Dirk Fisher and the Riant Theatre on this production, and with others like Christian De Gré Cardenas and Mind the Art Entertainment, Sue Conover Marinello, Katie Marinello, and Parker Bennett, I have learned grit and courage from them.
For this production on Sunday night, I benefit from this resilience and creativity. Since the beginning of the pandemic, Van has responded to this nightmare by developing the art of virtual backgrounds and performance skills for virtual reality theatrical productions.
Think about that. You get knocked down you get back up.
Please join me and watch these remarkable people offer a counterpoint to the propaganda of an election year.
Come if you can. And if you can’t, please donate to support the theater if possible.
I’m thrilled to share that a reading of my play, THE GRACE OF GOD & THE MAN MACHINE (formerly known as Onaje), will be presented by the Jocunda Festival this Sunday, October 25th, at 8:00 p.m. (ET). There will be a Q&A afterward with the playwright (yours truly), the director, actors, and audience, led by Van Dirk Fisher, the director and founder of the Riant Theatre.
I would be doubly thrilled if you could join us — and help support live theater.
For tickets, register in advance on Zoom:
Donation: $15.00 to benefit The Riant Theatre. After registering, you will receive a confirmation email with details about joining on Zoom.
THE GRACE OF GOD & THE MAN MACHINE, a Black Lives Matter play, is an intricately plotted thriller that explores the consequence of racism on two individuals and their families.
Set in Eastern Maryland in the 1960s and 1987, two sons — one white, one black — meet by chance on the road, unaware that their families shared a life-altering connection years before. Now, their fate and their families’ futures may depend on the choices they will be forced to make.
THE GRACE OF GOD & THE MAN MACHINE allows the audience to ponder: is the die forever cast by a one-time choice we make?
“Having run this Zoom Play Reading Series since the pandemic began, I’ve developed directorial and visual techniques that make our Zoom productions visually, emotionally, and viscerally stimulating,” director Van Dirk Fisher said. “It’s something people haven’t always associated with the play reading format. Audiences also love the interactive and spirited Q and A that follows,” he added.
An O’Neill Theater Center semi-finalist, Onaje appeared at the 2018 Fringe Festival to rave reviews and sold out audiences. Theatre Is Easy gave Onaje its Best Bet designation and described its “high stakes story” as “the most dramatic, fleshed out near-cinematic play I have seen.” Onstage Blog said Onaje “brilliantly brings a sense of warmth,” and Blog Critic described the play as embodying “exquisite conceptualizations and themes.”
CLICK HERE to download the Press Release.
He will win reelection if he can:
1) Create chaos in the streets & fear in white Americans:
That ain’t over yet. This is at the heart of his campaign.
He needs looters and the fear of Black people because “it won’t be your White America in 20 years.”
If he can again provoke demonstrations, can use Federal troop, and get looters — imagine October and election day in November if he can get looters!
2) Eliminate the vote:
Aggressively underfund the Post Office so that the collection of votes can be curtailed for being too late, or lost. The post office is already underfunded. He will succeed in this if he has not already.
3) Control the media message:
a. Sinclair Broadcasting (which controls the broadcast network for small media TV stations across the country) recently broadcasted that Dr. Fauci created the virus and shipped it to China. It joins Fox and Tucker Carlson (who has the greatest following of any TV host) in broadcasting intentionally false information.
b. Attorney General Barr will soon reveal the results of the third known investigation focused on the opening of an F.B.I. counterintelligence investigation during the 2016 presidential campaign, as well as the debunked theory that the 2016 Trump campaign was bugged.
c. Forget the courts! They will have no force or effect before the election until they can move as fast as Twitter.
4) Polarize the vote:
Create a caricature of the “smug” and “politically correct” Democrats who remain arrogant, confident, and vocal that he will lose. He needs hate to bring out the vote.
5) Control and dismiss any feeling we may be losing our place in the free world:
Well, nobody has cared so far that we abandoned our allies:
1) South Korea, Japan and Asia, leaving them to North Korea.
2) The Kurds, surrendering the Middle East to Russia.
3) Europe and NATO (as they abandon us).
He has done that.
Or that our enemies:
1) Make fools of us when they pay a bounty for killing our American soldiers (but if a Black man kneels during our National Anthem in a 1st Amendment Constitutional protest he is chastised for disrespecting our military? Really?).
2) Openly interfere with our elections.
3) Build up missile attack forces that can now hit our country and our allies, because our president has declared that our historic anti- democratic enemies are, in fact, our friends.
He’s done that.
6) Avoid blame or responsibility for COVID-19 (“The China Virus”).
No problem! Say the governors have botched it. He’s done that.
Forget the polls. Why do you want to be wrong again?